Before we had MIDSOMMAR, we had The Wicker Man (1973)

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Christopher Lee in The Wicker Man

The original post can be found here.

For those of us who were lucky enough to catch Midsommar already, we noticed that Ari Aster’s sophomore psychedelic, folk horror film derives an incredible amount of influence from Robin Hardy’s 1973 masterpiece, THE WICKER MAN.  Everything from its (seemingly) warm, welcoming commune members, to its commentary on intrusive outsiders barging in on dissimilar cultures, to its fiery third act (which I won’t discuss here) Midsommar is indebted to this folk horror classic, and we thought we would swing around the maypole again and remind you why this film is so integral to the horror genre. Continue reading

MIDSOMMAR solidifies Ari Aster as a contemporary master of bizarro horror

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There is a handful of contemporary auteur filmmakers that are bringing something completely fresh to the horror genre, while still managing to derive influence from classics of the past– Jennifer Kent, Robert Eggers, Jordan Peele– to name a few.  But none have excited me quite to the degree of the eccentric, strange, provocative, ballsy filmmaking style that Hereditary (and now Midsommar) creator Ari Aster possesses.

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‘The Lodge’ Review – Overlook Film Festival (originally published for NightmarishConjurings.com)

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The original post can be found here.

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I’ve never been too keen on having children, quite frankly, and thanks to Veronika Franz’s and Severin Fiala’s 2014 feature Goodnight Mommy and now their much-anticipated English-language follow up, THE LODGE, not only do I not want to have children of my own, but I sure as hell do not want to be a stepmom anytime soon either…

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