“This is a different film- there are things that bolster other things in this cut that I always did miss.”
In a Q&A session after the premiere of his intended director’s cut of Midsommar in New York this weekend (read my review), Ari Aster admitted to feeling “self-indulgent” by releasing this version so soon after the theatrical cut’s original July 3 release to the masses. However, Aster quickly realized how necessary it was for him to show a fuller story of his initial vision.
Last spring during Cannes Film Festival, you may have read about the 100 or so people who walked out during the latest “gruesome” Lars Von Trier film, The House That Jack Built— resulting in conflicting reviews such as, “Von Trier went too far,” while others proclaiming it as his “best film to date.” Nothing new for the controversial Von Trier– as his moody, violent, arthouse-style horror-drama films have only won the ‘Pissing the MPAA Off Awards’ rather than Academy Award-winning accolades. His latest shocker will be no different. Continue reading