MIDSOMMAR Director’s Cut Adds (Even More) Depth to the characters REVIEW [Originally published for Bloody Disgusting]

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The original post can be found under “Reviews” at Bloody-Disgusting.com

“This is not releasable,” Ari Aster joked, as he introduced his “more complete” Director’s Cut of Midsommar in New York this past weekend. 

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ORPHAN wasn’t perfect, but I still love it 10 years later (Originally published for Bloody Disgusting)

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The original post was published on July 24, 2019 under “Editorials” at Bloody-Disgusting.com.

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Something is wrong with Esther, alright.

Released on this day 10 years ago, Jaume Collett-Serra’s unique twist on the bad seed subgenre, Orphan, pummeled its way into theaters after weeks of both anticipation and controversy, going on to earn $78 million at the box office over its relatively modest budget. Both influenced by, yet also a subversion of the tropes of previous films such as The Bad Seed, The Omen, and The Good Son— and undoubtedly affecting the coldness within this year’s The ProdigyOrphan is one of the more memorable psychological horror efforts we were given in 2009.

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Before we had MIDSOMMAR, we had The Wicker Man (1973)

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Christopher Lee in The Wicker Man

The original post can be found here.

For those of us who were lucky enough to catch Midsommar already, we noticed that Ari Aster’s sophomore psychedelic, folk horror film derives an incredible amount of influence from Robin Hardy’s 1973 masterpiece, THE WICKER MAN.  Everything from its (seemingly) warm, welcoming commune members, to its commentary on intrusive outsiders barging in on dissimilar cultures, to its fiery third act (which I won’t discuss here) Midsommar is indebted to this folk horror classic, and we thought we would swing around the maypole again and remind you why this film is so integral to the horror genre. Continue reading

In Fabric Review- Overlook Film Festival (originally published for NightmarishingConjurings.com)

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The original post can be found here.

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Kill, couture, kill!  You’ve got an evil-spirited dress wreaking havoc upon all those who encounter it, pitch-black humor about consumerism, demented kill scenes, Peter Strickland’s direction, and an A24 distribution.  IN FABRIC is the British horror-comedy that we didn’t know we needed.

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What I’ve watched lately: ‘I Trapped The Devil’, ‘A Tale of Two Sisters’, ‘The Autopsy of Jane Doe’, ‘A Ghost Story’, ‘The Killing of a Sacred Deer’, ‘The Innocents’

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Still from The Killing of a Sacred Deer (A24)

Let’s catch up: Behold a list of (mostly) fantastic films I have watched recently.  (Embarrassed to admit that many of these were a first time watch– SO late to the party.)  Regardless– even though each and every one of these deserves an individual, in-depth, analytical review– for the sake of time, I’ll sound off some quick thoughts about each film, and why you should catch up with these jewels (or yell at me because I hadn’t seen many of these until recently.)

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