The original article can be found at Bloody-Disgusting.com.
This decade gifted us a plethora of auteur filmmakers that brought something completely fresh to the horror genre, while still managing to derive influence from beloved classics of the past— Jennifer Kent, Issa Lopez, Robert Eggers, Jordan Peele— to name a few. But there’s one creator in particular who has excited myself and many others to next-level degrees with his assuredly eccentric, provocative, ballsy filmmaking style: Ari Aster.
“Black history is Black horror.” – Author Taranarive Due
Rachel True in Horror Noire (Shudder)
For a genre that has found much of its footing from being loved by a culture of rejected, misfit fandoms, horror has always struggled with playing fair when it comes to its equal inclusivity of shades of people within its films. Women, LGTBQ+, and People of Color alike have always questioned their worth within horror– as so much of it has both glorified and been created by straight, White men– and in Shudder’s exclusive documentary Horror Noire: A History of Black Horror, we gain thought-provoking perspectives from a group of Black Americans that have worked in horror, about what it means to be a fan of a genre that has not always been so good to them.