10 of the Most Unsettling Moments in Doll Horror (Originally published for Bloody-Disgusting.com)

The original post can be found under “Editorials” at Bloody-Disgusting.com.

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There is a very specific reason why I asked my mother to return the many porcelain dolls she bought for me when I was a kid: I watched too many horror movies. Porcelain dolls, baby dolls, life-size dolls, and especially ventriloquist dummies: I had seen far too many of those damn things open their eyes, come to life, and kill people in movies, and I wanted no parts of it.

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‘The Lodge’ Review – Overlook Film Festival (originally published for NightmarishConjurings.com)

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The original post can be found here.

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I’ve never been too keen on having children, quite frankly, and thanks to Veronika Franz’s and Severin Fiala’s 2014 feature Goodnight Mommy and now their much-anticipated English-language follow up, THE LODGE, not only do I not want to have children of my own, but I sure as hell do not want to be a stepmom anytime soon either…

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Shudder’s ‘The Ranger’ is good ol’ fashioned slasher fun (with punks)

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(Shudder)

Sure, we may have had our fill of the ’80s nostalgia horror trend that has been running rampant over the last couple years, but I will never complain about a fun-loving slasher indie, set in the all-too-scary deep neck of the woods (scary for me at least, because I am terrified of the woods) with a crew of scintillating punk kids and a delectable performance from Jeremy S. Holm as a psycho ranger at its core.

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What I’ve watched lately: ‘I Trapped The Devil’, ‘A Tale of Two Sisters’, ‘The Autopsy of Jane Doe’, ‘A Ghost Story’, ‘The Killing of a Sacred Deer’, ‘The Innocents’

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Still from The Killing of a Sacred Deer (A24)

Let’s catch up: Behold a list of (mostly) fantastic films I have watched recently.  (Embarrassed to admit that many of these were a first time watch– SO late to the party.)  Regardless– even though each and every one of these deserves an individual, in-depth, analytical review– for the sake of time, I’ll sound off some quick thoughts about each film, and why you should catch up with these jewels (or yell at me because I hadn’t seen many of these until recently.)

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‘Sadistic Intentions’ is another awesome heavy metal + horror film pairing (Originally published for NightmarishConjurings.com)

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Genre standout Jeremy Gardner is gold as a conflicted metal musician in Sadistic Intentions

The original post can be found here.

From Alice Cooper’s and Black Sabbath’s occult-inspired lyrics and gory theatrics, to Rob Zombie’s foray into directing his own features, to films like Trick or Treat, The Devil’s Candy, and Deathgasm— heavy metal and the horror genre have always gone hand-in-hand.  Both genres are known for (and celebrated) for pushing their material to the limits, often relying on violence and shock value for art.  But how far is too far?  With the latest heavy metal-horror film pairing, Eric Pennycoff’s SADISTIC INTENTIONS, we have a great time finding out just how far one jaded metal musician will go to achieve levels of creativity and inspiration for his music.

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‘Hagazussa: A Heathen’s Curse’ is one of 2019’s first horror masterworks

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Aleksandra Cwen in Hagazussa (Courtesy of Doppelganger Releasing)

Coming off 2018– a highly sociopolitical year that contained multiple depictions of witches, femininity, and black magic within horror through the likes of Suspiria, Pyewacket, and Chilling Adventures of Sabrina– Lukas Feigelfeld’s debut feature film Hagazussa: A Heathen’s Curse, which has been circulating the festivals since fall 2017, will finally be available to audiences this month.  And although a slightly different take on witches than we’ve been seeing as of late, Hagazussa is arguably the most subtly gut-wrenching.

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Interview with ‘Hagazussa’ writer/director Lukas Feigelfeld

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(Doppelgänger Releasing)

I had the opportunity to speak with Hagazussa: A Heathen’s Curse writer/director Lukas Feigelfeld about his highly anticipated feature film debut, his transition into filmmaking, his visual style, Pagan folklore, comparisons to The Witch, “elevated” horror, and his sympathy for female witches.  (You can read my review for Hagazussa here.)

The film’s synopsis, according to its Doppelgänger Releasing site page:

In a remote Alpine village in the 15th century, the orphan Albrun grows up to become a marked woman.  The scapegoat of ancient superstitions and monstrous misogyny, this self-styled witch begins to assert her otherworldly birthright.  The plague she conjures makes human cruelty look pathetic and small by comparison.  This atmospheric debut feature from Lukas Feigelfeld is a haunting Pagan death trip and a startling vision of psychedelic horror.

Bloody Disgusting and Doppelgänger Releasing presents Hagazussa: A Heathen’s Curse, opening in limited theaters on April 19, and will be available on VOD, DVD, and Blu-ray on April 23.

Read on for our conversation. (Special thanks to Bloody Disgusting and Margarita Cortes.)

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