Metalsploitation: The History of Heavy Metal in the Horror Film (Originally Published for Bloody-Disgusting.com)

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The original article was published for Bloody-Digusting.com on April 9, 2020.

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Blood, Satan, the occult, fighting off zombies, social chaos, violence, death— on the surface, these descriptors sound like your average indicators of our favorite horror movies, however, they’re just as representative of horror’s musical cousin equivalent: heavy metal. Just like metal horns and concerts pair so perfectly, these misfit subgenres have been tied together for decades— even coming together as one in the form of “metalsploitation,” (yep, a real term) in which heavy metal music is exploited, satirized, and, most importantly, portrayed lovingly within its own, unique variety of horror films. In honor of the latest heavy metal-horror movie to join the subgenre’s slate, the Alexandra Daddario-starring We Summon the Darkness that’s arriving on VOD this week, we’re looking at each decade of heavy metal’s progression and relationship to the horror genre.

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‘Sadistic Intentions’ is another awesome heavy metal + horror film pairing (Originally published for NightmarishConjurings.com)

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Genre standout Jeremy Gardner is gold as a conflicted metal musician in Sadistic Intentions

The original post can be found here.

From Alice Cooper’s and Black Sabbath’s occult-inspired lyrics and gory theatrics, to Rob Zombie’s foray into directing his own features, to films like Trick or Treat, The Devil’s Candy, and Deathgasm— heavy metal and the horror genre have always gone hand-in-hand.  Both genres are known for (and celebrated) for pushing their material to the limits, often relying on violence and shock value for art.  But how far is too far?  With the latest heavy metal-horror film pairing, Eric Pennycoff’s SADISTIC INTENTIONS, we have a great time finding out just how far one jaded metal musician will go to achieve levels of creativity and inspiration for his music.

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